Hey, just a quick question. Are there any benefits of shooting 60 light frames with an exposure of 120 seconds instead of 120 light frames with an exposure of 60 seconds?
I hope it makes sense, thanks.
-Rasmus
Hey, just a quick question. Are there any benefits of shooting 60 light frames with an exposure of 120 seconds instead of 120 light frames with an exposure of 60 seconds?
I hope it makes sense, thanks.
-Rasmus
Hi Rasmus -
In general longer exposures will provide better images when the images are stacked. The only reason not to use longer exposures would be if stars were starting to saturate.
So, shooting 60 light frames with an exposure of 120 seconds will give better results than shooting 120 frames at 60 seconds.
Steve
Steve King:
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It also depends on the camera. Some CCD cameras will not capture enough data with that short of exposure, while most CMOS cameras will.
CCD cameras also benefit from longer exposures to over come the fixed noise. Where CMOS cameras are generally lower noise.
Mounts: EQ1, LXD55, Atlas EQ-G (one with Rowan belt mod, EQ6-Rail and one without)
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You should always strive to make your exposures as long as possible. Unfortunately, there are quite a few obstacles that will prevent you from achieving long exposure times. Some of the obstacles are guiding errors, the seeing, your local level of LP, wind, battery life, etc. You need to experiment to see just how long you can make your exposure times so you can keep at least a certain percentage of your light frames. My personal limit is 80%, which means I'm willing to throw away 20% of my images for whatever reason makes them unsuitable. So whatever you set your "keeper" percentage at, if you can't attain this, then adjustments will be necessary.
Cheers,
JT
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Longer exposures are not always necessarily better. It depends on upstream vs. downstream noise including digitization. Check the links in this message:
Calculating Noise Sources (including LP) for a DSLR Camera
... Henk. Telescopes: 6" Mak-Newt (Comet Hunter), ES ED127CF, ES ED80, Zhumell Z12, Coulter Odyssey 10, AT6RC, Venture RX-7, Celestron Skymaster 20x80, Mounts and tripod: Losmandy G11S, AVX, LXD55, Tiltall, Cameras: Fuji X-a1, Canon SX40, Xt, XSi, T6, ELPH 100HS, DIY: Dob and camera barndoor trackers, afocal adapter, Dob with foldable base and Az/Alt setting circles, Accessories: SSAG, Plossls, Barlows, Telrad, laser collimators (Seben LK1, Z12, Howie Glatter), Cheshire, 2 Orion RACIs 8x50, Software: DSS, ImageMagick, PHD, Nebulosity, Photo Gallery, Gimp, CHDK
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